Initially, the light bokeh slider just adds brightness to the spots of light, so increase the bokeh color slider to introduce some saturation to the lights - I found this gave a wonderful glow to the street lights and car headlights. This will allow the specular highlights in the photo to bloom into a gorgeous bokeh, shining out in the blurred areas, again emulating the effect a real lens would give. Then, if your photo has it, go down to the effects tab and increase the light bokeh slider (I've punched mine up to 31%). Use the distortion slider to introduce a stretched distortion to the blurred areas which mimics the effect you'd achieve with a real tilt-shift lens. ![]() You can leave it at that if you want to speed the process up a bit, but if you're willing to spend a few more minutes here then you can create an even more realistic tilt-shift effect. Don't overdo it here but also don't skimp on blur as this is the crucial step in making our toy town effect. The blur slider allows us to control the blur, by sliding it to the right for a more intense effect. Next, adjust the amount of blur you want. Line up the filter with the area on the photo you want to keep sharp, here I've rotated it slightly to keep in-line with the central street. The innermost lines indicate the point at which the blur starts to take effect, followed by two outer lines that indicate the end of transition into the full blur. You'll first notice the anchor control point and four dotted lines. From here a new window pops up with the blur tool controls to the right-hand side. With the upper layer selected head to Filter>Blur Gallery>Tilt-Shift. So let's get started.Īdd the tilt-shift blur under the filter drop-down menu and position it to line-up with your chosen street line To begin, first, select an image that is conducive to the tilt-shift effect. To get a realistic effect you shouldn't just apply a blur filter and be done with it, there are a few more steps that you can complete relatively quickly, to make your photo stand out from the crowd. How to use the Tilt-Shift Filter in Photoshop. The Canon TS-E is built with an ultra-low dispersion (UD) glass to prevent blur caused by color. By far, this Canon lens has the best contrast, color, flare control, and tilt-shift capabilities. If you must buy only one tilt-shift lens, we recommend this one. Here, I wanted to effect this night scene of Japan, so I've taken a relatively close crop to start work on it. Leading our list of the best tilt-shift lenses is the all-around Canon TS-E 24mm. Preferably, a top-down or aerial view onto a street or two will make for the best tilt-shift effect because it'll look like toys on a tabletop, displaying a good amount of blur and a strong section of in-focus parts. You can adjust the placement of the blur, as well as changing how much of the photo is sharp and how much is blurred. Next go to Filter > Blur Gallery > Tilt-Shift. Use the keyboard shortcut ctrl+J (cmd+J on mac) to duplicate the layer. You don't want to get too close to your scene either. After opening the image in photoshop, create a copy of the original (background) layer. Often that small slice of focus ends up disappearing in the menagerie of a wider view, so a relatively close crop will let this effect stand out more. But you have to choose the right photo.Ī huge vista makes it difficult to control the toy town look. By using image editing software to create the effect you can even revisit old photos that weren't taken on a tilt-shift lens and apply the effect there, too. Well, you can make the same effect surprisingly easily in Photoshop CC. For the toy town effect we would reduce the depth of field to a small sliver of focus to make a large scene appear very small.īut what if you don't have a tilt-shift lens? Though they're versatile and usually fantastic lenses, they're rather expensive and not many photographers carry one in their kit bag at all times. The easiest way to achieve this look is with a tilt-shift lens where the photographer can alter the plane of focus using the lens' ability to shift the glass and thereby either extending the depth of field or drastically reducing it.
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